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BRAFA – Brussel

BRAFA – Brussels Antiques & Fine Arts Fair 2011

brafa plakat
  • Ausstellung
    21.01.2011 - 30.01.2011
BRAFA – Brussel

Mit der stets sehr sorgfältig durchdachten und eleganten räumlichen Gestaltung der Messe wurde erneut das talentierte Architektenbüro ‚Volume Architecture‘ betraut, das 2011 einer grafischen, an Land Art erinnernden Dekoration den Vorzug gab und daneben, insbesondere im vollkommen neu gestalteten Eingangsbereich den barocken Stil des 17. Jahrhunderts heraufbeschwor.

Ein wie immer sehr sorgfältig geplanter Empfang

Zu guter Letzt sind wir mit dem Ziel, die hohen Ansprüche unserer Besucher zu erfüllen, insbesondere unter Berücksichtigung der steigenden Anzahl der Gäste aus dem Ausland, eine Partnerschaft mit dem Hotel Le Plaza eingegangen und haben darüber hinaus einen ‚BRAFA-Führer' erarbeitet, der eine Auswahl an Restaurants, Hotels, Ausstellungen, Veranstaltungen und sonstigen nützlichen Adressen enthält, die für einen verlängerten Aufenthalt in Brüssel unabdingbar sind und ihn auf angenehme Art bereichern.

www.brafa.be

 


besucher, Design, Freien, Galerie, Kunst, Malerei, Meister, Messe, Moderne Kunst, museum, Porzellan, Renaissance, Schmuck, Steingut, Tradition, Ausstellung


brafa plakat




Ihr Link zu uns. termine |  Tags: Ausstellung, besucher, Design, Freien, Galerie, Kunst, Malerei, Meister, Messe, Moderne Kunst, museum, Porzellan, Renaissance, Schmuck, Steingut, Tradition
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  • BRAFA – Brussels Antiques & Fine Arts Fair
    BRAFA – Brussels Antiques & Fine Arts Fair
  • Galerie Chanel A 'Temple d'Amour' mantel clock, circa 1780 Gilt bronze, white marble and porcelain Case shaped as temple, clock with two enameled rings. Movement 'à cercles tourants' signed FESTEAU / A PARIS (François-Bonnaventure Festeau, elder son of Simon-François). On lower part four gilt caryatids depicting the four seasons and on upper section four more representing the arts. Base fitted with a biscuit figure of a putto. On finial a Chinese gilt bronze figure Louis XVI period H 53 x Diam 22 cm Literature: H.L. Tardy, ' Dictionnaire des horlogers français', Première Partie A-K, Paris, 1972, p. 226; P. Kjellberg, 'Encyclopédie de la pendule française du Moyen Age au XXe siècle', Paris, Editions de l’Amateur, 1997, pp. 292-293, similar examples
    Galerie Chanel A 'Temple d'Amour' mantel clock, circa 1780 Gilt bronze, white marble and porcelain Case shaped as temple, clock with two enameled rings. Movement 'à cercles tourants' signed FESTEAU / A PARIS (François-Bonnaventure Festeau, elder son of Simon-François). On lower part four gilt caryatids depicting the four seasons and on upper section four more representing the arts. Base fitted with a biscuit figure of a putto. On finial a Chinese gilt bronze figure Louis XVI period H 53 x Diam 22 cm Literature: H.L. Tardy, ' Dictionnaire des horlogers français', Première Partie A-K, Paris, 1972, p. 226; P. Kjellberg, 'Encyclopédie de la pendule française du Moyen Age au XXe siècle', Paris, Editions de l’Amateur, 1997, pp. 292-293, similar examples
  • Bernard De Leye Two Italian oval miniatures representing « The Last Supper » and “The Manna of Heaven” Gold H 8,5 x W 7,5 cm Weight : 16 et 18 gr. Renaissance period, 17th century Two putti Gold H 5,7 and 6,3 cm Weight: 12 gr. for the pair Rome, 17th century
    Bernard De Leye Two Italian oval miniatures representing « The Last Supper » and “The Manna of Heaven” Gold H 8,5 x W 7,5 cm Weight : 16 et 18 gr. Renaissance period, 17th century Two putti Gold H 5,7 and 6,3 cm Weight: 12 gr. for the pair Rome, 17th century
  • Berko Fine Paintings The beautiful Gertrude Théo Van Rysselberghe (Ghent 1862–1926 Saint-Clair-Var) Belgian school Oil on canvas 45 x 37 cm Monogrammed lower left Provenance: Pogu, Paris Literature: Ronald Feltkamp, 'Théo Van Rysselberghe, 1862-1929', Brussels, 1993, n° 1904-009, ill. p. 346 Works of the artist in the Museums of Brussels, Ghent and Liège
    Berko Fine Paintings The beautiful Gertrude Théo Van Rysselberghe (Ghent 1862–1926 Saint-Clair-Var) Belgian school Oil on canvas 45 x 37 cm Monogrammed lower left Provenance: Pogu, Paris Literature: Ronald Feltkamp, 'Théo Van Rysselberghe, 1862-1929', Brussels, 1993, n° 1904-009, ill. p. 346 Works of the artist in the Museums of Brussels, Ghent and Liège
  • Galerie De Jonckheere 'Lot and his daughters in a panoramic landscape with the towns of Sodom and Gomorrah in flames' Lucas Gassel (Helmont circa 1500-1569 Brussels) Oil on panel 38 x 55 cm Provenance: private collection He painted in the vein of Joachim Patenier using panoramic landscape like him but he expanded his field of vision by encompassing the universe in its entirety. His landscapes were always accompanied by scenes from the Old and New Testament. This episode is taken from Chapter 19 of Genesis and starts with the story of the towns of Sodom and Gommorah. Here the interest is not limited by the mannerist refinement of the characters, but also by the magnificient panoramic landscape. Endowed with a broad perspective, it reveals the different stages of the story to the viewer. It can be considered as one of the artist’s greatest achievements
    Galerie De Jonckheere 'Lot and his daughters in a panoramic landscape with the towns of Sodom and Gomorrah in flames' Lucas Gassel (Helmont circa 1500-1569 Brussels) Oil on panel 38 x 55 cm Provenance: private collection He painted in the vein of Joachim Patenier using panoramic landscape like him but he expanded his field of vision by encompassing the universe in its entirety. His landscapes were always accompanied by scenes from the Old and New Testament. This episode is taken from Chapter 19 of Genesis and starts with the story of the towns of Sodom and Gommorah. Here the interest is not limited by the mannerist refinement of the characters, but also by the magnificient panoramic landscape. Endowed with a broad perspective, it reveals the different stages of the story to the viewer. It can be considered as one of the artist’s greatest achievements
  • Epoque Fine Jewels René Lalique (Ay, Marne 1860-1945 Paris) Art Nouveau 'Wood anemones' pendant, circa 1900 18 ct gold, 'plique à jour' enamel, blue enamelled glass and diamonds Signed: Lalique Extraordinary pendant, unknown until today in the oeuvre of René Lalique Provenance: directly purchased in 1903 by the Dutch Consul in Russia from Lalique at an exhibition of his work in St. Petersburg A pendant of similar design is part of the Lalique collection at the Calouste Gulbenkian Museum in Lisbon
    Epoque Fine Jewels René Lalique (Ay, Marne 1860-1945 Paris) Art Nouveau 'Wood anemones' pendant, circa 1900 18 ct gold, 'plique à jour' enamel, blue enamelled glass and diamonds Signed: Lalique Extraordinary pendant, unknown until today in the oeuvre of René Lalique Provenance: directly purchased in 1903 by the Dutch Consul in Russia from Lalique at an exhibition of his work in St. Petersburg A pendant of similar design is part of the Lalique collection at the Calouste Gulbenkian Museum in Lisbon