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Autumn/Winter 2022 program

NGV also announced the upcoming Autumn/Winter 2022 program including an exciting mix of exhibitions, programs, festivals and events. Highlights of the upcoming season include the establishment of a new permanent home on the ground floor of NGV Australia for our NGV Collection of Indigenous Art and Design, which will change the way visitors experience this world-leading work. Opening on 15 April,
WHO ARE YOU: Australian Portraiture opening 25 March unites collections of the NGV and the National Portrait Gallery, Canberra, for the very first time. Featuring more than 200 works by the likes of Patricia Piccinini, Howard Arkley, Vincent Namatjira and more, and depicting sitters such as Cate Blanchett, Queen Elizabeth II and Eddie Mabo, this exhibition will be one of the largest presentations of portraiture ever mounted in Australia.

Queer: Stories from the NGV Collection is a celebration of the queer stories embedded in the NGV Collection – and is one of the most historically expansive exhibitions ever dedicated to this diverse subject opening March 10.

Melbourne Design Week 2022 Australia’s leading annual international design event, returns for its sixth edition from 17–27 March 2022, a key highlight this year will be the inaugural Melbourne Design Fair (16 – 20 March 2022), a commercial showcase of limited edition, rare and one-of-a kind collectable design by Australia’s leading emerging and established contemporary designers and designer-makers.

New Australian Printmaking, an exhibition at the Ian Potter Centre: NGV Australia opening 13 May, is the first presentation to feature all 68 prints created as part of this Fellowship and reveals the many ways in which the print medium can dynamically enhance the practice of leading contemporary artists.

For nearly three decades, the NGV’s annual Top Arts exhibition has provided a platform for our nation’s young artists to explore the themes and issues important to them. The exhibition, opening on 17 March, reveals that Victoria’s young artists are not only talented, but unwaveringly resilient. The NGV remains committed to arts education, as well as nurturing the practices of emerging artists.

Transforming Worlds: Change and Tradition in Contemporary India, opening on 9 April, explores how artists from Indigenous and regional communities are using customary art-making practices to comment on the country’s rapidly changing social, political and environmental landscapes. Featuring never-before-seen new acquisitions from the NGV Collection, this exhibition provides a local perspective on the experience of urbanisation, environmental degradation, shifting gender dynamics and public health issues in India.








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  • Kellie Palatino It’s alive! 2021 wire mesh, air-dried modelling clay, synthetic polymer paint, cardboard, watercolour, glass, dirt, gloss varnish 46.0 x 50.0 x 33.0 cm Kilbreda College, Mentone © Kellie Palatino
    Kellie Palatino It’s alive! 2021 wire mesh, air-dried modelling clay, synthetic polymer paint, cardboard, watercolour, glass, dirt, gloss varnish 46.0 x 50.0 x 33.0 cm Kilbreda College, Mentone © Kellie Palatino
    National Gallery of Victoria
  • Pablo Picasso Spanish 1881–1973 Portrait of Olga in an armchair (Portrait d’Olga dans un fauteuil) spring 1918 oil on canvas 130.0 x 88.8 cm Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
    Pablo Picasso Spanish 1881–1973 Portrait of Olga in an armchair (Portrait d’Olga dans un fauteuil) spring 1918 oil on canvas 130.0 x 88.8 cm Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
    National Gallery of Victoria
  • Frida Morden-Paino Spectrum 2021 acrylic yarn (a) 98.0 cm (outer leg), 43.0 cm (waist, flat) (pants) (b) 24.0 x 104.0 cm (scarf) Princes Hill Secondary College, Princess Hill © Frida Morden-Paino
    Frida Morden-Paino Spectrum 2021 acrylic yarn (a) 98.0 cm (outer leg), 43.0 cm (waist, flat) (pants) (b) 24.0 x 104.0 cm (scarf) Princes Hill Secondary College, Princess Hill © Frida Morden-Paino
    National Gallery of Victoria
  • Daniel Ireland Breeze 2021 (a) colour digital video, sound, 3 min 5 sec (b) recycled synthetic and organic fibres (a) 3 min 5 sec (video) (b) 100.0 x 80.0 x 45.0 cm (costume) Xavier College, Kew © Daniel Ireland
    Daniel Ireland Breeze 2021 (a) colour digital video, sound, 3 min 5 sec (b) recycled synthetic and organic fibres (a) 3 min 5 sec (video) (b) 100.0 x 80.0 x 45.0 cm (costume) Xavier College, Kew © Daniel Ireland
    National Gallery of Victoria
  • Arthur Foulkes A party in the closet 2021 oil and synthetic polymer paint on canvas 153.0 x 61.0 cm Belmont High School, Geelong © Arthur Foulkes
    Arthur Foulkes A party in the closet 2021 oil and synthetic polymer paint on canvas 153.0 x 61.0 cm Belmont High School, Geelong © Arthur Foulkes
    National Gallery of Victoria
  • Kellie Palatino It’s alive! 2021 wire mesh, air-dried modelling clay, synthetic polymer paint, cardboard, watercolour, glass, dirt, gloss varnish 46.0 x 50.0 x 33.0 cm Kilbreda College, Mentone © Kellie Palatino
    Kellie Palatino It’s alive! 2021 wire mesh, air-dried modelling clay, synthetic polymer paint, cardboard, watercolour, glass, dirt, gloss varnish 46.0 x 50.0 x 33.0 cm Kilbreda College, Mentone © Kellie Palatino
    National Gallery of Victoria
  • Clare Platt Green and purple alien swamp 2021 inkjet print 68.0 x 109.0 cm (sheet) Presbyterian Ladies College Melbourne, Burwood © Clare Platt
    Clare Platt Green and purple alien swamp 2021 inkjet print 68.0 x 109.0 cm (sheet) Presbyterian Ladies College Melbourne, Burwood © Clare Platt
    National Gallery of Victoria