The Master Behind the Subject RARE PORTRAIT BY RUBENS Almost certainly in the possession of the artist until his death To be offered in London this summer Unseen on the market for over 60 years, Portrait of a Venetian Nobleman is imbued with The painter’s own personality and fascination for Italy A Powerful Example of the Immediacy and Timeless Modernity of Rubens’ Painting

London, 18 March 2018 - A rare portrait by Sir Peter Paul Rubens (1577-1640), one of the all-time greats of Western Art will spearhead Sotheby’s Old Masters sale in London on 4 July 2018. Unseen on the market for 60 years, this remarkable depiction of a Venetian Nobleman was almost certainly cherished by the artist who kept it until his death in 1640. Acquired by the great Dutch collector Hans Wetzlar in the early 1950s, it has remained in the possession of his descendants ever since. One of only a few portraits by the artist to come on the market in recent years, it is estimated in the region of £3 million.

George Gordon, Worldwide Co-Chairman of Sotheby’s Old Master Paintings Department, said: “Rubens is known as the “Prince of the painters” and his legacy is far reaching. His timeless modernity and immediacy is evident in this painting which encapsulates several strands of his creative, emotional and intellectual life. With its bravura brushwork which shows no hint of hesitancy, this is a portrait of a man as real to us as he was in the artist’s mind. Almost 400 years after being created, this is a painting that gives the viewer immense pleasure, and one in which we can feel Rubens’ own joy in creating it.”

Painter, designer, print-maker, sculptor, architect, diplomat, peace-treaty broker, at the helm of the largest studio of his time, Rubens was the first great artist-collector in Northern Europe and the fact that he almost certainly owned the present portrait until his death is testament to its importance.

Painted in the 1620s, at the height of Rubens’ career, the work depicts an imposing and evidently powerful man in the prime of life fixing the viewer in his penetrating gaze. While not a self-portrait, it is a study of a man in whom Rubens recognises himself – another successful man of his own times, and perhaps too, like Rubens, something of a polymath.