• Menü
    Stay
Schnellsuche

LONDON ART WEEK 2024

Contemporary Artists inspired by London Museum Collections
Moretti Fine Art is delighted to announce the exhibition 'Marcos Lozano: A Reflection on Time for the National Gallery’s Bicentenary'. This year marks the 200th anniversary of The National Gallery, London, and in tribute to this occasion the gallery will present a selection of 13 oil works by the contemporary artist Marcos Lozano. Each of them echoes 13 paintings belonging to the collection of the London Institution, offering both a unique juxtaposition of time-honoured classics yet historical and contemporary interpretations.

The Society of Antiquaries of London will be showing an exhibition by contemporary artists Adam Dant, who draws our maps, and Dan Llywelyn Hall inspired by the collection of the Society, celebrating 150 years at Burlington House.

Frames
Paul Mitchell are leading specialists in the framing of Old and Modern Master paintings and graphic works of art. During London Art week, company directors Paul and Mark welcome visitors to see their unique collection of European picture frames.

Following their recent webinar with frame historian Lynn Roberts discussing the framing of Impressionist pictures, they will also be exhibiting original frames designed by Degas and one of Degas's key patrons, Count Isaac de Camondo, including a specific frame used by Monet. Sadly, only a fraction of Impressionist paintings remain in their original frames, as dealers succumbed to reframing them in styles appealing to wealthy 19th / 20th century American collectors to hang in their newly built mansions. Their frames had to harmonise with revival style Renaissance, Baroque or Rococo interiors, regardless of their suitability for the artworks.

Over the past 46 years, the Paul Mitchell gallery has reframed numerous Impressionist works for museums, private clients and auction houses, rectifying and transforming their appearance.

Auction Houses
Bonhams, Christie’s and Sotheby’s are all part of London Art Week. Their Old Master and Classic auctions take place alongside the dealers’ exhibitions.

Among highlights coming to the rooms this summer is a large work by John Roberts Cozens of the lake and town of Nemi, made on is first trip to Italy in 1776-1779. Of the five recorded versions of this composition the present one is nearly double the size of the other variations, likely intended as a challenge to the popular notion that oil paintings were in some way superior to watercolours and demonstrated that landscapes painted on paper could be every bit as eloquent, technically impressive and valid as their counterparts on canvas.

LAW Digital
Martinez Avezuela (Madrid) - New participants from Madrid offer Old master, Modern and Contemporary drawings (top right: Josep Basté (active c.1910-1920), Gaspar Cassadó)

Thomas Colbourn & Sons (UK) - presents The Regency Period, featuring exceptional furniture, bronzes and artworks of the early 19th Century (bottom right: In the manner of Alexis Decaix (c. 1753-1811), A Pair of Regency Gilt-Bronze and Patinated-Bronze Griffin, Paperweights, circa 1810)

Eros Gallery (part of Willoughby Gerrish Ltd) (UK) - will focus on works in bronze (top left: Alberto Giacometti, Projet pour une Place)

Rosenberg & Co (New York) - New participants from New York, the gallery will be highlighting works by artists associated with Section d'Or, the Paris-based association of Cubist artists circa 1912-1914 (bottom left: Alexander Archipenko (1887-1964), Admiration of Venus)

London Art Week presents a unique and special opportunity to view and acquire some of the most exceptional works of art for sale on the UK market today, offered by distinguished dealers and displayed in the varied settings of their galleries, alongside international exhibitors taking part online.

The event is a major draw for international museum curators, private collectors, scholars and welcomes anyone interested in art. LAW exhibitors collaborate to share their knowledge, reveal research into revered and rediscovered artists and works, and present pre-eminent exhibitions in their field of expertise, some many years in the making.

Our Sponsors and Partners:
London Art Week is sponsored by Lockton.
We are delighted to announce that our charity partner is Art History Link-Up.
Our museum and institution partners are: Ashmolean Museum, The Courtauld Gallery, Dimbola, The Fitzwilliam Museum, Handel Hendrix House, The National Gallery, National Portrait Gallery, Royal Museums Greenwich, Society of Antiquaries of London, Spencer House, Strawberry Hill House & Garden, Turner's House, The Wallace Collection.






  • 28.06.2024 - 05.07.2024
    Messe »
    London Art Week »

    .

GALLERIES/Sladmore Gallery, Nic Fiddian Green (Contemporary)  Still Water, Turkish Yellow Onyx, 2024, 2024  Turkish Yellow Onyx  100 × 28 × 30 cm. (39 ⅜ × 11 × 11 ⅔ in.)


Neue Kunst Messen
Frieze London and Frieze
Frieze has revealed details of Frieze London and Frieze...
ART INTERNATIONAL ZURICH 2025
Die ART INTERNATIONAL ZURICH 2025 wird vom 23. bis 25. Mai...
Parallax Art Fair in London
Die Parallax Art Fair zieht Künstler und Designer aus der...
Meistgelesen in Messen
54. Stuttgarter
BIBLIOPHILE ZEITREISE - 54. STUTTGARTER ANTIQUARIATSMESSE...
Salon du livre de Lourmarin
Welcome to Lourmarin for the 9th edition of the Antiquarian...
ART&ANTIQUE Residenz
Die ART&ANTIQUE Residenz Salzburg feiert ihre 10. Sommer...
  • GALLERIES/Trinity Fine Art, Hendrick Goltzius (1558 - 1617)  Jupiter and Juno, 1616  Oil on canvas  99.5 × 80 cm. (39 ⅓ × 31 ½ in.)
    GALLERIES/Trinity Fine Art, Hendrick Goltzius (1558 - 1617) Jupiter and Juno, 1616 Oil on canvas 99.5 × 80 cm. (39 ⅓ × 31 ½ in.)
    London Art Week
  • GALLERIES/Stephen Ongpin Fine Art, GIOVANNI FRANCESCO BARBIERI, called IL GUERCINO (1591-1666)  The Head of a Bearded Soldier in a Plumed Helmet, c.1620s  Brush and brown wash, pen and brown ink.  267 × 215 mm. (10 ½ × 8 ½ in.)
    GALLERIES/Stephen Ongpin Fine Art, GIOVANNI FRANCESCO BARBIERI, called IL GUERCINO (1591-1666) The Head of a Bearded Soldier in a Plumed Helmet, c.1620s Brush and brown wash, pen and brown ink. 267 × 215 mm. (10 ½ × 8 ½ in.)
    London Art Week
  • GALLERIES/Rosenberg & Co, Alexander Archipenko (1887-1964)  Admiration of Venus, 1944  Graphite and gouache on paper  912 × 759 mm. (35 ⅞ × 29 ⅞ in.)
    GALLERIES/Rosenberg & Co, Alexander Archipenko (1887-1964) Admiration of Venus, 1944 Graphite and gouache on paper 912 × 759 mm. (35 ⅞ × 29 ⅞ in.)
    London Art Week
  • GALLERIES/Abbott and Holder, Christopher Richard Wynne Nevinson (1889-1946)  Banking at 4000 Feet, 1917  Lithograph  406 × 305 mm. (16 × 12 in.)
    GALLERIES/Abbott and Holder, Christopher Richard Wynne Nevinson (1889-1946) Banking at 4000 Feet, 1917 Lithograph 406 × 305 mm. (16 × 12 in.)
    London Art Week
  • GALLERIES/Haynes Fine Art, Luigi Loir (1845-1916)  Un Jour de Pluie À Paris, circa 1900  Oil on Canvas  25.4 × 31.8 cm. (10 × 12 ½ in.)
    GALLERIES/Haynes Fine Art, Luigi Loir (1845-1916) Un Jour de Pluie À Paris, circa 1900 Oil on Canvas 25.4 × 31.8 cm. (10 × 12 ½ in.)
    London Art Week
  • GALLERIES/Paul Mitchell Antique & Handmade Replica Frames, Paul Mitchell Ltd. Studio
    GALLERIES/Paul Mitchell Antique & Handmade Replica Frames, Paul Mitchell Ltd. Studio
    London Art Week
  • GALLERIES/Willoughby Gerrish, Alberto Giacometti  Projet pour une place, 1946, cast 1993  Bronze  18.4 × 9.2 × 12.6 cm (7 ¼ × 3 ⅝ × 5 in)
    GALLERIES/Willoughby Gerrish, Alberto Giacometti Projet pour une place, 1946, cast 1993 Bronze 18.4 × 9.2 × 12.6 cm (7 ¼ × 3 ⅝ × 5 in)
    London Art Week