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LONDON ART WEEK ANNOUNCES SUMMER DATES 2022

● During LAW, Christie's will have an expansive watercolour by Giovanni Battista Lusieri (1755-1821) on view which depicts A Panoramic view of Rome from the Aventine Hill towards the South and is estimated at £200,000 - £300,000.

● Patrick Bourne & Co will be showing a 1906 landscape by Sir William Nicholson (1872-1949) from his Littlehampton series. The world he recorded comprised Brun Fine Art: Madonna and Child with a Bishop Saint, Francesco Marmitta meadows, skies and ships in the harbour. Works from this series are hidden masterpieces and mark the beginning of his modern landscapes.

● Abbott & Holder will be exhibiting an excellent watercolour by Gwen John (1876-1939) of Worshippers in the Church at Meudon, circa 1920. The artist moved to Meudon just outside Paris to be close to Auguste Rodin, for whom she had modelled and had an affair with. When their relationship deteriorated, she turned to the Catholic Church for comfort and started a series of portraits of local churchgoers and nuns. ● Rountree Tryon, another returning LAW exhibitor, will be showing the Portrait of Robert ‘Bobby’ Gould Shaw III on horseback in the grounds of Cliveden by Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959). The sitter, Nancy Astor's eldest child from her first marriage, was an accomplished horseman and the painting captures the essence of elegance and grandeur of life for the English aristocracy in the years before the Second World War. Although the family commissioned the portrait, it remained in Munnings' studio as Gould Shaw was jailed for homosexuality in 1931; it was later acquired by American heiress Mrs Cynthia Cary for her home in Newport, Rhode Island.

● Philip Mould & Company is showing a portrait by Gwen's brother Augustus Edwin John (1878-1961). The Sisters dates to 1937, and a recently resurfaced photograph album illustrating the John family's visit to Jamaica has shed new light on the sitters. London Art Week is a major showcase of the finest works the art market has to offer from leading international galleries and auction houses, in London and abroad. LAW aims to offer the very best paintings, drawings, prints, sculpture and objects, dating from Antiquity to the 20th Century.






  • 03.07.2022 - 08.07.2022
    Messe »
    London Art Week »

    Friday 3 July to Friday 10 July (Preview Thursday 2 July)

    Opening Times:
    Preview: 12 pm - 8 pm
    Weekdays: 10 am - 6 pm
    Weekend: 11 am - 5 pm
     



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  • © 2022 London Art Week
    © 2022 London Art Week
    London Art Week
  • Bonhams, Thomas Lawrence 1769-1830 Portrait of Jane Allnutt with her pet spaniel 1821-22 Oil on canvas 61.3 × 50.4 cm. (24 ⅛ × 19 ⅔ in.) £150,000-250,000
    Bonhams, Thomas Lawrence 1769-1830 Portrait of Jane Allnutt with her pet spaniel 1821-22 Oil on canvas 61.3 × 50.4 cm. (24 ⅛ × 19 ⅔ in.) £150,000-250,000
    London Art Week
  • Kallos Gallery, An Attic black-figure hydria, attributed to the Leagros Group c.525-500 BC Ceramic 39 cm. (15 ⅜ in.)
    Kallos Gallery, An Attic black-figure hydria, attributed to the Leagros Group c.525-500 BC Ceramic 39 cm. (15 ⅜ in.)
    London Art Week
  • Elliott Fine Art, Lucie Attinger Neuchatel 1859 - Paris 1928 Profile study of a model dressed as a Native American c. 1890 Gouache on card 424 × 332 mm. (16 ¾ × 13 ⅛ in.) L. Attinger
    Elliott Fine Art, Lucie Attinger Neuchatel 1859 - Paris 1928 Profile study of a model dressed as a Native American c. 1890 Gouache on card 424 × 332 mm. (16 ¾ × 13 ⅛ in.) L. Attinger
    London Art Week
  • Georg Laue, Kunstkammer Ltd, Georg Müllner Master 1624/1625-1647/1659 Nef on wheels Nuremberg, 1641-1646 Parcel-gilt silver, town mark and master maker's mark 27 cm. (10 ⅝ in.) Master maker's mark punched on the edge of the hull
    Georg Laue, Kunstkammer Ltd, Georg Müllner Master 1624/1625-1647/1659 Nef on wheels Nuremberg, 1641-1646 Parcel-gilt silver, town mark and master maker's mark 27 cm. (10 ⅝ in.) Master maker's mark punched on the edge of the hull
    London Art Week
  • Tomasso, Christopher Hewetson c. 1737-1798 Portrait Bust of Prince Francis Xavier of Saxony (1730-1806) c. 1790 White Marble 75 cm. (29 ½ in.)
    Tomasso, Christopher Hewetson c. 1737-1798 Portrait Bust of Prince Francis Xavier of Saxony (1730-1806) c. 1790 White Marble 75 cm. (29 ½ in.)
    London Art Week
  • Philip Mould & Company, Vanessa Bell 1879-1961 Still-life of Dahlias, Chrysanthemums and Begonias 1912 Oil on board laid on panel 73 × 51.7 cm. (28 ¾ × 20 ⅜ in.) Signed V Bell (upper right)
    Philip Mould & Company, Vanessa Bell 1879-1961 Still-life of Dahlias, Chrysanthemums and Begonias 1912 Oil on board laid on panel 73 × 51.7 cm. (28 ¾ × 20 ⅜ in.) Signed V Bell (upper right)
    London Art Week