Sotheby’s to Auction the Best-Surviving NASA Videotape Recordings of the Apollo 11 Moon Landing
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Auktion20.07.2019
The videotapes will be offered from the collection of Gary George, the man responsible for salvaging and safeguarding them for the past 43 years. As an engineering student at Lamar University, George was awarded a cooperative work internship at the NASA Johnson Space Center in June of 1973. During his internship, he would occasionally attend government surplus auctions, and in June 1976, at an auction at Houston’s Ellington Air Force Base, he purchased, for a bid of $217.77, a single lot consisting of some 1,150 reels of magnetic tape whose “Owning Agency Or Reporting Office” was NASA. Among the reels were about sixty-five boxes of 2-inch, reel-to-reel videotapes of the type used by television stations. A new reel of Ampex tape cost about $260 at that time, and since the tapes could be re-recorded, George purchased the lot with the intention of selling the used—but still usable—tapes to local TV stations.
After selling some of the tapes and donating others to Lamar University and a local church, George’s father noticed that in addition to the manufacturer’s labelling, three of the boxes had smaller typewritten labels identifying them as “APOLLO 11 EVA | July 20, 1969 REEL 1 [–3]” and “VR2000 525 Hi Band 15 ips.” Thinking that these particular tapes may be worth hanging on to, George saved the three boxes, giving them little thought until early 2008 when he learned that NASA was attempting to locate its original slow scan videotapes of the Apollo 11 EVA (Extravehicular Activity) in anticipation of the 40th anniversary of the first manned moon landing.
At this point the tapes were now vintage, compelling George to seek the assistance of the DC Video studio, which owned equipment capable of playing the videotapes. In October 2008, George’s videotapes were played at DC Video, very possibly for the first time since they had been recorded. Miraculously, the tapes were in faultless condition, displaying a picture quality superior to any other existing contemporary videotapes. In December 2008, his tapes were played for a second time since he bought them in 1976 and were digitized directly to 10-bit uncompressed files, retaining their original 525 SD4/3 specifications and downloaded onto a one terabyte hard drive (which is included as a part of the sale of these three reels of videotape). This was the last time these reel-to-reel videotapes were played until Sotheby’s specialists viewed them in order to confirm their quality for this auction.
As for NASA, the agency abandoned its search after concluding that the forty-five reels of SSTV high-resolution recordings of the Apollo 11 EVA had been erased and recorded over and any duplicate 2-inch Quadruplex videotape recorded by NASA, similar to those purchased by George, had either met the same fate or—perhaps worse—been irretrievably damaged due to poor storage protocol. NASA marked the ruby anniversary of Apollo 11 in 2009, by contracting with Lowry Digital to restore and enhance the footage of the EVA that had been saved by CBS Television – the version known to most viewers today.
From Neil Armstrong’s first step to Buzz Aldrin’s bounding down the LM ladder shortly after him; from Aldrin’s exuberant bouncing around on the surface of the moon to demonstrate the effects of lunar gravity to the remarkable “long distance phone call” with the President of the United States; from the astronauts’ solar wind experiment to their deploying the American flag on the surface of the moon; from the collection of soil and rock samples to the photographing of the “magnificent desolation” of the lunar landscape—this is the Apollo 11 moon walk as seen that historic evening of July 20, 1969, by the staff of Mission Control.
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