• Menü
    Stay
Schnellsuche

Honoring Black History at Frieze Los Angeles 2023

  • Presse
    20.02.2023
    Frieze »

Offsite, Frieze Projects: Against the Edge presents three works by Tony Cokes throughout the historic literary and performance center Beyond Baroque. The musicality and rhythm of Cokes’s work, its connection to vernacular forms of music and spoken word mirror Beyond Baroque’s historical context and thematic values. “So we have to really rethink all these concepts” reads a portion of the piece, Evil. 13.5 (4 OE), part of his post-9/11 series, Evil, which greets visitors at Beyond Baroque’s entrance. The text for the work is drawn from an interview with Okwui Enwezor about African design, serving as an homage to the late Nigerian educator, curator, and former Director of the Munich Haus der Kunst.






  • Frieze
  • 20.02.2023
    Presse »
    Frieze »

    .



Neue Kunst Nachrichten
Das museum gugging im Juni
Zwei Mal lädt das museum gugging im Juni zum Gespräch und zu...
Nachbericht Auktion "
Ob Aserbaidschan, Litauen oder Taiwan – Die Sammler für...
Ode an Meidling: Friedensmaler
Das einzigartige Kunstwerk verbindet die Vergangenheit...
Meistgelesen in Nachrichten
Gefährdete  

Auch in diesem Jahr unterstützt die Deutsche Stiftung

 

Gisela Lasartzyk, Ortskuratorin Stuttgart der Deutschen

Ende der  

Am Sonntag, den 19.

  • Ming Smith, Ed Love and Tina Turner, 1984, archival pigment print, 63.3 x 93.8 cm Edition of 7 plus 2 artist's proofs (#1/7). ©Ming Smith. Courtesy of the artist and Nicola Vassell Gallery
    Ming Smith, Ed Love and Tina Turner, 1984, archival pigment print, 63.3 x 93.8 cm Edition of 7 plus 2 artist's proofs (#1/7). ©Ming Smith. Courtesy of the artist and Nicola Vassell Gallery
    Frieze
  • Ta-coumba T. Aiken, In Plain Sight, 2021, Acrylic on canvas. Courtesy the artist and Dreamsong
    Ta-coumba T. Aiken, In Plain Sight, 2021, Acrylic on canvas. Courtesy the artist and Dreamsong
    Frieze
  • Bob Thompson (1937–1966), The Circus, 1963, oil on canvas. © Michael Rosenfeld Gallery LLC, New York, NY; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
    Bob Thompson (1937–1966), The Circus, 1963, oil on canvas. © Michael Rosenfeld Gallery LLC, New York, NY; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
    Frieze
  • Ernie Barnes, Homecoming, 1994   Acrylic on canvas   24 x 48 inches (61 x 121.9 cm.)   (EB21-036)   Courtesy of the Ernie Barnes Trust and Andrew Kreps Gallery, New York, and Ortuzar Projects, New York
    Ernie Barnes, Homecoming, 1994 Acrylic on canvas 24 x 48 inches (61 x 121.9 cm.) (EB21-036) Courtesy of the Ernie Barnes Trust and Andrew Kreps Gallery, New York, and Ortuzar Projects, New York
    Frieze
  • Chase Hall, Bruce's Beach Surf Club, 2022, acrylic and coffee on cotton canvas. Photo: Dario Lasagni, Courtesy of David Kordansky Gallery
    Chase Hall, Bruce's Beach Surf Club, 2022, acrylic and coffee on cotton canvas. Photo: Dario Lasagni, Courtesy of David Kordansky Gallery
    Frieze
  • Tony Cokes: So to Speak installed at Beyond Baroque for ‘Frieze Projects: Against the Edge’ curated by Jay Ezra Nayssan for Frieze Los Angeles 2023. Photo by Paul Salveson. Courtesy of the Artist; Frieze; Hannah Hoffman, Los Angeles; Greene Naftali, New York; and Felix Gaudlitz, Vienna.
    Tony Cokes: So to Speak installed at Beyond Baroque for ‘Frieze Projects: Against the Edge’ curated by Jay Ezra Nayssan for Frieze Los Angeles 2023. Photo by Paul Salveson. Courtesy of the Artist; Frieze; Hannah Hoffman, Los Angeles; Greene Naftali, New York; and Felix Gaudlitz, Vienna.
    Frieze